The Eternal Flame of Muslim Outrage by Michelle Malkin

Shhhhhhh, we're told. Don't protest the Ground Zero mosque. Don't burn a Koran. It'll imperil the troops. It'll inflame tensions. The "Muslim world" will "explode" if it does not get its way, warns sharia-peddling imam Feisal Abdul Rauf. Pardon my national security-threatening impudence, but when is the "Muslim world" not ready to "explode"? At the risk of provoking the ever-volatile Religion of Perpetual Outrage, let us count the little-noticed and forgotten ways.

Just a few months ago in Kashmir, faithful Muslims rioted over what they thought was a mosque depicted on underwear sold by street vendors. The mob shut down businesses and clashed with police over the blasphemous skivvies. But it turned out there was no need for Allah's avengers to get their holy knickers in a bunch. The alleged mosque was actually a building resembling London's St. Paul's Cathedral. A Kashmiri law enforcement official later concluded the protests were "premeditated and organized to vitiate the atmosphere." Indeed, art and graphics have an uncanny way of vitiating the Muslim world's atmosphere. In 1994, Muslims threatened German supermodel Claudia Schiffer with death after she wore a Karl Lagerfeld-designed dress printed with a saying from the Koran. In 1997, outraged Muslims forced Nike to recall 800,000 shoes because they claimed the company's "Air" logo looked like the Arabic script for "Allah." In 1998, another conflagration spread over Unilever's ice cream logo -- which Muslims claimed looked like "Allah" if read upside-down and backward (can't recall what they said it resembled if you viewed it with 3D glasses).

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